we meet at nine at the extraordinary cable street studios for the 'london flat' scenes. a cool fourteen hours later, we have become quite expert at handling tiny insects and we have what may be the film's most moving moment in the can. only one day of principal photography to go, but this one is made by the news that the keys to my very good friend's house have been found!... i am more than a little happy and relieved right now.
'the ant? we could adopt it but then it would no longer be free'
we meet at nine at the extraordinary cable street studios for the 'london flat' scenes. a cool fourteen hours later, we have become quite expert at handling tiny insects and we have what may be the film's most moving moment in the can. only one day of principal photography to go, but this one is made by the news that the keys to my very good friend's house have been found!... i am more than a little happy and relieved right now.
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due to the horrendous evils of spam i've had to set comments to 'approval needed'. but please feel free to comment: i won't censor or hide you; this really is just to spare us all the intrusion of unwanted advertising for decidedly crap websites.
sebastiani am, i suppose, the instigator of this project. i wrote it, i'm producing it together with pascal verdosci, i'm directing, together with adam berzsenyi bellaagh, and because i've got adam codirecting, i'm even acting in it. but really the impetus for it came from our director of photography gregor brändli, who said to me 'october i'd be available to make a film'. and we'd been meaning to make our first feature ever since we first worked together, back in 2005... archives
October 2012
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banner image from our footage, shot on location in safiental, switzerland |