lake zürich today for a scene of understated melancholy and long-harboured affection and then back to eo ipso in basel for theo's reverse shot and close ups. by now i think our actor sam is actually theo and there's nothing in him i could or would want to change. having spent half the morning in a traffic jam caused by a ghastly crash on the motorway earlier, we're running late all day for the first time, but our woes by comparison are as nothing, and we wrap our switzerland shoot a little tired but in very good spirits 28 minutes behind schedule, which we think is not bad going, all things considered...
'you have to try things in life, what else are you living for?'
lake zürich today for a scene of understated melancholy and long-harboured affection and then back to eo ipso in basel for theo's reverse shot and close ups. by now i think our actor sam is actually theo and there's nothing in him i could or would want to change. having spent half the morning in a traffic jam caused by a ghastly crash on the motorway earlier, we're running late all day for the first time, but our woes by comparison are as nothing, and we wrap our switzerland shoot a little tired but in very good spirits 28 minutes behind schedule, which we think is not bad going, all things considered...
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sebastiani am, i suppose, the instigator of this project. i wrote it, i'm producing it together with pascal verdosci, i'm directing, together with adam berzsenyi bellaagh, and because i've got adam codirecting, i'm even acting in it. but really the impetus for it came from our director of photography gregor brändli, who said to me 'october i'd be available to make a film'. and we'd been meaning to make our first feature ever since we first worked together, back in 2005... archives
October 2012
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banner image from our footage, shot on location in safiental, switzerland |